Remzije Osmani - Keshtu e kam qejfin Downloads
Remzije Osmani - Moj lulije pellumb i bardh Downloads
Remzije Osmani - Shtona moj nuse Downloads
Remzije Osmani - Shamija e beqarit Downloads
Remzije Osmani - Kalon kah dera Downloads
Remzije Osmani - Ah mory shyhrete Downloads
Remzije Osmani - Pasha ty Downloads
Remzije Osmani - Per gezim ne valle Downloads
Remzije Osmani - Kacurelat permbi balle Downloads
Remzije Osmani - Shkon djali sokakut Downloads
Remzije Osmani - Ani knon bilbili Downloads
Remzije Osmani - Vallahi si dita Downloads
Remzije Osmani - Kush ja ban vetit me sy Downloads
Remzije Osmani - Vallezoni vallen Downloads
Remzije Osmani - Sa e bukur je Downloads
Remzije Osmani - O lum e lum Downloads
Remzije Osmani - Marak maraklija Downloads
Remzije Osmani - Valle me klarinet Downloads
|
Subscribe to:
Post Comments (Atom)
REMZIJE, UNE NUK KAM DEGJUAR NDONJE KENGE TENDE POR EMRI YT ME KUJTON NJE SHOK SHOK SHKOLLE (remzi)bye Canada
ju lutem ta futni edhe kengen e remzie osmanit "kthehu te lutem ,nji fjal ma thuaj a e din sa te dua... loti pikon, zemra vajton, per ty nuk pushon" nuk e di si titullohet
A music video is a short film or video that accompanies a complete piece of music, most commonly a song. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. Although the origins of music videos go back much further, they came into their own in the 1980s, when MTV (Music Television)'s format was based around them.
The key innovation in the development of the modern music video was, of course, video recording and editing processes, along with the development of a number of related effects such as chroma-key. The advent of high-quality colour videotape recorders and portable video cameras coincided with the DIY ethos of the New Wave era and this enabled many pop acts to produce promotional videos quickly and cheaply, in comparison to the relatively high costs of using film. However, as the genre developed music video directors increasingly turned to 35mm film as the preferred medium, while others mixed film and video. By the mid-1980s releasing a music video to accompany a new single had become standard, and acts like The Jacksons sought to gain a commercial edge by creating lavish music videos with million dollar budgets; most notable with the video for "Can You Feel It".
In the UK the importance of Top of the Pops to promote a single created an environment of innovation and competition amongst bands and record labels as the show's producers placed strict limits on the number of videos it would use - therefore a good video would increase a song's sales as viewers hoped to see the video again the following week. David Bowie scored his first UK number one in nearly a decade thanks to director David Mallets' eye catching promo for "Ashes to Ashes" . Another act to succeed from this tactic was Madness who shot on 16mm and 35mm short micro-comedic films.
In the early to mid 1980s, artists started to use more sophisticated effects in their videos, and added a storyline or plot to the music video. Michael Jackson was the first artist to create the concept of the short film. A short film is a music video that has a beginning, middle and end. He did this in a small way with Billie Jean, directed by Steve Barron, then in a West Side Story way with director Bob Giraldi's Beat It, but it wasn't until the 1984 release of the Thriller short film that he took the music video format to another level.